There’s no single one which is willing to leave their home, to give up their land.īut there’s 100,000 people killed in this kind of dramatic war, famine, environmental problems, they have to leave. I feel there’s some connections in there, you know, the people, there are 65 million people being forced out of their homes. So that make me much easier to approach this film, Human Flow, and to see this human tragedy as part of my condition, you know. And basically we have to live in a hole underground so to tell you the condition, yeah, fortunately the Gobi desert is not so much raining in the summer. So since I was very young, I experienced all those very harsh political conditions like the discriminations, all those. And in that society that’s the worst of crime you can commit is an anti-revolutionary. So I grew up in this very extremely harsh condition, you know, my father becomes anti-revolutionary. Yeah, a little bit farther would be Russia or Pakistan, you know. So our whole family had been sent to the most remote area very far from Beijing, Xinjiang.Īi Weiwei: Yes, far as you can get. How did that influenced you?Īi Weiwei: Well, the year I was born which is in 1957 my father was exiled. So tell us how that shaped your empathy for what the film’s about. Your dad was the renowned Chinese poet Ai Qing who joined the Chinese Communist Party and was sent down to the countryside for a long time where he had to, you know, clean toilets. Greg Dalton: Let’s begin with your dad and the story of your dad and how that it kind of comes to the film. Ai now lives in Berlin and travels the world pursuing his art and his activism.Īi recently spoke with Greg Dalton about his latest project, “Human Flow,” a film documenting human migration and the refugee crisis. This led to his arrest and detention for by the Chinese authorities. He gained artistic success and international recognition for using his art and social media to comment on politics. During his twenties Ai lived in the United States, where he was exposed to the works of artists such as Marcel Duchamp and Andy Warhol, befriended poet Allen Ginsburg, and earned a reputation as a top tier professional blackjack player. When the Cultural Revolution ended, the family returned to Beijing. Climate One conversations – with oil companies and environmentalists, Republicans and Democrats – are recorded before a live audience and hosted by Greg Dalton.Īi Weiwei spent much of his childhood living in political exile with his family in Xinjiang. Welcome to Climate One – changing the conversation about America’s energy, economy and environment. Up next on Climate One.Īnnouncer: How can art help us understand the human costs of climate change? Stephan Crawford: As an artist, I wanted to try to find ways to use art to make it less abstract.Īnnouncer: Art, freedom and people on the move. Later, we’ll hear about using music to convey emotional urgency around climate disruption. In his new film “Human Flow,” Ai documents the plight of refugees struggling in a hot and crowded world. That’s artist and human rights activist Ai Weiwei. Throughout the world, hurricanes, drought and sea level rise are hitting people where they live. In Africa and the Middle East, people are being driven from their homes by political and economic upheaval, amplified by the changing climate.Īi Weiwei: Before the Syrian war there’s seven years of drought…many people think that also contribute to the upheavals in the nation. Announcer: This is Climate One, changing the conversation about America’s energy, economy and the environment.
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